Post by ikeaboy321 on Jul 1, 2009 10:20:36 GMT
FIRST IS ANYONE,using a 4ms atoner?
What about other sonic wrecking balls?
and what techniques do you use to irradiate your sound, tone,
I'm very impressed with the polite things many very talented musicians, technicians, have accomplished using all the perfect Les Paul /Marshall et al combinations of gear.
It's like a formula, and yes that's because it sounds so cool.this guitar this amp these pedals, and the field of vision becomes familiar, comfortable, emotionally safe and satisfying. entertaining.
What about ugly? colors if you will, that lend themselves to telling a different kind of story, in a different environment emotionally.
Fred Firth looping and looping and looping the strange timbres he got out of his gear in a one man set twenty years ago. Mr Firth revealed a place in the sonic landscape that I had never been before. and I dug it!
What about you? What if I didn't think of what I was doing as a product to be sold? or recorded? shared and left for dead.
so I'm looking for ways to break the habits, of my expectations
.any body remember Ralph Steadman the artist?
images.google.com/imgres?imgurl=http://2.bp.blogspot.com/__kME8hzve_Y/SUKCmDVBa4I/AAAAAAAABLY/GLdhUJuYfrY/s400/ralph%2Bsteadman.jpg&imgrefurl=http://proteusmag.blogspot.com/2008/12/artist-of-day-ralph-steadman.html&usg=__5Tvi-KlWzZzfNbG26WB5zMkxE40=&h=400&w=285&sz=40&hl=en&start=35&tbnid=F6OsfXtCUnaT6M:&tbnh=124&tbnw=88&prev=/images%3Fq%3Dralph%2Bsteadman%26gbv%3D2%26ndsp%3D20%26hl%3Den%26safe%3Doff%26sa%3DN%26start%3D20
using loops machines of chaos and bliss analog stringed digital acoustic binary imaginary convolutions of this that and the other to take a step in the Steadman direction of sound.
What about other sonic wrecking balls?
and what techniques do you use to irradiate your sound, tone,
I'm very impressed with the polite things many very talented musicians, technicians, have accomplished using all the perfect Les Paul /Marshall et al combinations of gear.
It's like a formula, and yes that's because it sounds so cool.this guitar this amp these pedals, and the field of vision becomes familiar, comfortable, emotionally safe and satisfying. entertaining.
What about ugly? colors if you will, that lend themselves to telling a different kind of story, in a different environment emotionally.
Fred Firth looping and looping and looping the strange timbres he got out of his gear in a one man set twenty years ago. Mr Firth revealed a place in the sonic landscape that I had never been before. and I dug it!
What about you? What if I didn't think of what I was doing as a product to be sold? or recorded? shared and left for dead.
so I'm looking for ways to break the habits, of my expectations
.any body remember Ralph Steadman the artist?
images.google.com/imgres?imgurl=http://2.bp.blogspot.com/__kME8hzve_Y/SUKCmDVBa4I/AAAAAAAABLY/GLdhUJuYfrY/s400/ralph%2Bsteadman.jpg&imgrefurl=http://proteusmag.blogspot.com/2008/12/artist-of-day-ralph-steadman.html&usg=__5Tvi-KlWzZzfNbG26WB5zMkxE40=&h=400&w=285&sz=40&hl=en&start=35&tbnid=F6OsfXtCUnaT6M:&tbnh=124&tbnw=88&prev=/images%3Fq%3Dralph%2Bsteadman%26gbv%3D2%26ndsp%3D20%26hl%3Den%26safe%3Doff%26sa%3DN%26start%3D20
using loops machines of chaos and bliss analog stringed digital acoustic binary imaginary convolutions of this that and the other to take a step in the Steadman direction of sound.
